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Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。年龄已届65岁的蒙蒂伍利被公司强迫退休，但他认为自己仍然精力旺盛，不肯言退，于是发动抗争，对公司主管力数退休政策的保守落伍，而他一席动人的演说更成为全国注目的焦点。。云溪一朝被人下药，误打误撞之下与孟庆扬一夜荒唐。没曾想，弟弟竟因那一夜迷上了她，并对她穷追不舍。就在云溪以为以后不会再与孟庆扬有联系时，却发现自己的合作对象居然就是孟庆扬。就在两人暧昧的火花刚刚点燃之时，孟庆扬的“未婚妻”却突然出现了。。