博人传电影

视频简介

Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。上个世纪六十年代，我国遭受了三年严重的自然灾害，人们流离失所，许多孩子被遗弃，上海孤儿院人满为患，因食品缺少无法保证孤儿们的生命，在周恩来总理，乌兰夫主席的关心决策下，来自上海、江苏、安徽等地的三千孤儿，被内蒙古草原的牧民同胞接收并悉心抚养。影片主人公娜仁花就是这样的一个孤儿，被好心的阿爸和阿妈收养，视为己出。娜仁花大学即将毕业，面临分配问题，她上海的母亲和姐姐希望娜仁花留在上海，为此，她的姐姐背着娜仁花来到草原，见到了和娜仁花青梅竹马的、娜仁花的同学钢巴特。钢巴特说明了阿爸阿妈的态度，非常希望娜仁花留在上海，并拒绝了娜仁花亲姐姐的经济“补偿”。娜仁花决心回到草原，受到了各方面的阻力。她和同学顾晓东被学校派往日本深造三年，回国后，仍执意要回到草原，为此与顾晓东发生意见分歧，拒绝了顾晓东的爱情。娜仁花带着对亲生母亲的感激与想念，回到了草原阿爸阿妈的身边，成为了一名出色的医护人员。。