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电影叙述了一段在烽火硝烟弥漫下，以爱恨情仇编织的血雨腥风的故事。 抗日战争年间，中共地下党美女特工舒兰芝与同是地下党员身份的张志高恋情火热，怎料一场突如其来的任务完全改变了两人的运行轨迹。 舒兰芝之子舒笛的日子也是一番惊心动魄。而此时一位神秘女子的出现，却与舒笛产生匪夷所思的情感纠葛…… 是美色诱惑见人性，还是嗜血残暴令成魔？。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。