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接下来的舞台是由“血之女王”、“妖狐”、“暴君”三势力统治的无法都市。 那里是无赖横行、弱肉强食的世界。为了讨伐吸血鬼们的支配者“血之女王”被姐姐克莱儿带走的希德，因为有机会做出“影之实力者”的行为而兴奋不已……。 围绕“血之女王”的阴谋开始展开，无法都市三股势力混杂一起。 此外，姐姐克莱儿也被卷入骚乱，暗影庭院也独自采取行动。 在极度混沌中，希德不为人知地开始扮演幕后暗影。 红月升起，觉醒的时刻到来了……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。